Table of Contents
  1. Intro
  2. Design
    1. Style
    2. Comfort
    3. Controls
    4. Stability
    5. Portability
    6. Case
    7. Build Quality
    8. Cable
    9. Front
    10. Angled
    11. Side
    12. Rear
    13. Top
  3. Sound
    1. Bass
    2. Mid
    3. Treble
    4. Frequency Response Consistency
    5. Soundstage
    6. Imaging
    7. Total Harmonic Distortion
  4. Isolation
    1. Noise Isolation
    2. Leakage
  5. Active Features
    1. Wireless
    2. Battery
    3. App Support
  6. In the box
  7. Conclusion
  8. Q&A
Reviewed on Apr 19, 2017 , Marc Henney, Jean-Christophe Lamontagne

Plantronics BackBeat Pro 2
HEADPHONES REVIEW

Usage Ratings
7.6Mixed Usage
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What it is This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
7.6Critical Listening
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What it is The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
7.5Commute/Travel
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What it is How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
7.2Sports/Fitness
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What it is How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
7.9Office
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What it is How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Type : Over-ear
Enclosure : Closed-Back
Wireless : Yes
Noise-Cancelling : Yes
Mic : Yes
Transducer : Dynamic

The Plantronics BackBeat Pro 2 improved the design and sound quality of the original BackBeat Pro. They're sturdy, comfortable headphones with an easy-to-use control scheme and reliable wireless connection. They're also packed with active features that make them suitable for most use cases, but they don't block as much ambient noise as some of the other noise-canceling headphones we've reviewed recently.

Test Results
Design 7.2
Sound 7.7
Isolation 7.1
Active Features 8.6
Pros
  • Sturdy, durable build quality.
  • Good audio reproduction.
  • Excellent wireless range and battery life.
Cons
  • Mediocre noise isolation.
  • Bulky design.

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7.2

Design

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Score components:
Plantronics BackBeat Pro 2 Design Picture

The Plantronics BackBeat Pro 2 redesign the look and feel of the first BackBeat Pro but keep what made the previous model popular: easy to use controls and a sturdy, durable design. Although the ear cups are completely different, they still provide the same level of comfort. Unfortunately, like the first backbeat pro, they're slightly bulky headphones that are cumbersome to carry around on your person without a bag. 

Style
Plantronics BackBeat Pro 2 Design Picture 2

The BackBeat Pro 2 keep the some of the aesthetic of the previous Backbeat Pro but completely redesign the ear cups and hinges to give them a more modern look. The ear cups are now oval and have additional hinges to give them more flexibility. The headband, however, remains the same apart from the different padding material used in the build quality. Overall, it's a nice redesign but feels a bit bulky at times, especially, that the new hinges make the ear cups stick out, which may not be for everyone.

7.5 Comfort
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What it is: Adjustability and degrees of freedom, pressure, stiffness and weight.
When it matters: When the headphones are going to be used for long durations.
Score components: Subjectively assigned
Plantronics BackBeat Pro 2 Comfort Picture
Weight : 0.65 lbs
Clamping Force
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What it is: The force that the headphones exert on your head, once you have them on. This is purely a measurement of the force applied, which does not take into account the earpad's surface area and the resulting pressure you will feel, on or around your ears.
When it matters: The tighter the headphones, the more force they put on your head. This can get uncomfortable or cause pain and soreness during long listening sessions.
:
0.9 lbs

The Backbeat Pro 2 have a complete redesign of the ear cups when compared to the previous model. Fortunately, they're just as well padded and comfortable to wear for long sessions. The different oval shape might even fit some listeners better than the circular ones of the Backbeat Pro. However, the ear cups are slightly shallow and tend to put a bit of pressure around the ears.

8.0 Controls
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What it is: The control scheme of the headphones; the number of functions provided, button layout and ergonomics as well as the quality of tactile feedback.
When it matters: If you want to control volume, pause your music or make phone calls without directly interacting with, your audio device.
Score components: Subjectively assigned
Plantronics BackBeat Pro 2 Controls Picture
Call/Music Control : Yes
Volume Control : Yes
Additional Buttons : Noise-Canceling, Aware

The BackBeat Pro 2 keep the design etiquette of the BackBeat Pro by having well-determined and responsive buttons for each of the essential functions. The play/pause and skipping controls are all on the left ear cup and easy-to-use but not as intuitive as the turn dial on the previous model. A version of the volume dial is ported over to the BackBeat Pro 2, but it's not as tactile as the one on the first backbeat. On the upside, this control scheme is far more efficient than a lot o the high-end headphones we've reviewed that use touch-sensitive controls.

7.0 Stability
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What it is: How the headphones are designed to prevent them from slipping off your ears or falling off your head.
When it matters: If you plan on using the headphones while doing sports or other physical activities that requires a lot of movement.
Score components: Subjectively assigned
Plantronics BackBeat Pro 2 Stability Picture

The BackBeat Pro 2 are decently stable headphones. They have a good wireless design, and they're sufficiently tight on the head that they won't easily fall off. However, they are bulky headphones, so they tend to sway and shift when used for running or exercising.

5.5 Portability
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What it is: The volume of space occupied by the headphones when folded into their most compact format.
When it matters: If you're often on the move and need to carry your headphones in a bag, purse , or pocket.
Score components:
Plantronics BackBeat Pro 2 Portability Picture
L : 8.5 "
W : 8.5 "
H : 2.4 "
Volume : 172 Cu. Inches

These headphones have a bulky design that's not travel-friendly. They do not fold into a compact format to save space, but the ear cups lay flat which may be useful in some situations. Unfortunately, this means the BackBeat Pro 2 are not portable and a bit of hassle to carry on your person without a bag.

7.5 Case
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What it is: The provided carrying options to protect your headphones when transporting them.
When it matters: To prevent damaging your headphones, if you often carry them in your bag or pocket.
Score components: Subjectively assigned
Plantronics BackBeat Pro 2 Case Picture
Type : Hard case
L : 9.3 "
W : 8.8 "
H : 2.9 "
Volume : 234 Cu. Inches

The tough hard case only comes with the special edition of the BackBeat Pro 2. It's a sturdy case that will protect the headphones from scratches, drops and even mild water damage. Unfortunately, it's a pretty big case which takes up a lot of space making the already bulky BackBeat Pro 2 even harder to carry around without a bag.

7.5 Build Quality
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What it is: Durability; material quality; cheap/expensive feel.
When it matters: When the headphones are going to be used by multiple users (classes/studios), by children, in tough conditions, on a daily basis, or for exercise.
Score components: Subjectively assigned
Plantronics BackBeat Pro 2 Build Quality Picture

The Plantronics Backbeat Pro 2 have a sturdy and durable build quality. The ear cups are dense, and the headband is reinforced with a metal and plastic frame that's decently flexible but feels robust enough to withstand a couple of falls without getting damaged. However, the hinge mechanism is a bit different than in the previous model and adds more potential weak points to the build.

Cable
Plantronics BackBeat Pro 2 Cable Picture
Detachable : Yes
Length : 4.8 ft
Connection : 1/8" TRS

Comes with two cables: USB charging cable and 1/8" TRS-TRS audio cable

Front
Angled
Side
Rear
Top
7.7

Sound

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What it is: How accurately the audio is reproduced. The tests are performed with the headphones' most commonly used features enabled (noise-cancelling, wireless, etc.)
Score components:
Plantronics BackBeat Pro 2 Frequency Response

The Plantronics BackBeat Pro 2 deliver a well-balanced sound with an excellent Mid and Treble range that caters well to lead instruments and vocals. They also have a powerful bass that sounds exciting with bass-heavy music but feels a bit overemphasized. This gives them a slightly boomy sound on some tracks despite the bass being significantly reduced compared to the previous Backbeat Pro. Unfortunately, like most closed-back noise canceling headphones, they do not have the most immersive Soundstage.

7.7 Bass
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What it is: Frequency Response from 20Hz-250Hz
When it matters: When the material is heavy on bass frequencies, such as those of kick drums and bass guitar.
Score components:
Plantronics BackBeat Pro 2 Bass
Std. Err.
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What it is: The amount of deviation (weighted standard error) in bass frequency response (20Hz-250Hz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) bass performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
4.56 dB
Low-Frequency Extension
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What it is: The lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: Shows how extended the bass is.
Good value: <40Hz
Noticeable difference: 5Hz
:
10 Hz
Low-Bass
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What it is: The average amount of over/under-emphasis in frequency response from 20Hz-60Hz.
When it matters: Kick drums and low frequency effects get their 'thump' from this range. Mostly felt than heard.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
6.74 dB
Bass
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What it is: The average amount of over/under-emphasis in frequency response from 60Hz-120Hz.
When it matters: Melodic bass instruments have most of their fundamental frequencies in this range. This is where the 'body' and 'punch' of the bass sits.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.65 dB
High-Bass
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What it is: The average amount of over/under-emphasis in frequency response from 120Hz-250Hz.
When it matters: Most instruments get their warmth and full-ness from this range. When over-emphasized, mixes tend to get muddy and boomy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-3.79 dB

Good Bass Range performance. Low-end is extended down to 10Hz, which is great. But low-bass is significantly overemphasized, and could sound quite boomy if the source material is already bass-heavy. There is also a small dip in high-bass, which makes the sound of leads and vocals a bit thin.

9.1 Mid
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What it is: Frequency Response from 250Hz-2KHz
When it matters: When the material is heavy on mid-range frequencies. This is the case for the majority of audio content.
Score components:
Plantronics BackBeat Pro 2 Mid
Std. Err.
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What it is: The amount of deviation (weighted standard error) in mid frequency response (250Hz-2.5KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) mid performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
1.24 dB
Low-Mid
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What it is: The average amount of over/under-emphasis in frequency response from 250Hz-500Hz.
When it matters: Most instruments have their fundamentals or low harmonics in this range. Over-emphasis in this range sounds boxy. Under-emphasis, thins out the vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.41 dB
Mid
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What it is: The average amount of over/under-emphasis in frequency response from 500Hz-1KHz.
When it matters: This range is occupied mostly by upper harmonics. Over-emphasis sounds forward and honky. Under-emphasis pushes instruments to the back of the mix.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-0.36 dB
High-Mid
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What it is: The average amount of over/under-emphasis in frequency response from 1KHz-2.5KHz.
When it matters: Most instruments, especially vocals, get their intensity and clarity from this range. Over-emphasis sounds harsh, under-emphasis sounds weak and distant.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-0.38 dB

Excellent Mid Range performance. The response is virtually flat. The only comment is the 1.5dB dip in low-mid, which is the continuation of the dip from high-bass, tends to make the sound of vocals and lead instruments slightly thin.

9.0 Treble
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What it is: Frequency Response from 2KHz-20KHz
When it matters: When the material is heavy on high-range frequencies, such as voice, cymbals, and any other material where brightness, brilliance and airiness is desired.
Score components:
Plantronics BackBeat Pro 2 Treble
Std. Err.
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What it is: The amount of deviation (weighted standard error) in treble frequency response (2.5KHz-20KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) treble performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
2.3 dB
Low-Treble
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What it is: The average amount of over/under-emphasis in frequency response from 2.5KHz-5KHz.
When it matters: Almost all instruments rely on this range for their presence, detail, and articulation. Over-emphasis can sound harsh and painful. Under-emphasis hurts the comprehensibility of vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.07 dB
Treble
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What it is: The average amount of over/under emphasis in frequency response from 5KHz-10KHz.
When it matters: This is the sibilance range. Cymbals, vocals, and lead instruments rely on this range for brightness and presence. Over-emphasis sounds piercing and painful, under-emphasis sounds dull and lispy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.14 dB
High-Treble
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What it is: The average amount of over/under-emphasis in frequency response from 10KHz-20KHz.
When it matters: This range gives brilliance and airiness to the sound. Over-emphasis sounds hissy, under-emphasis sounds closed-up and lifeless.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-3.31 dB

Very good Treble Range performance. The response is virtually flat and the only noticeable issue is the slight bump in the sibilance range around 10KHz, which makes these headphones a bit too sharp. The average offset in low-treble and treble is less than 0.5dB.

7.8 Frequency Response Consistency
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What it is: The amount of deviation of each frequency response pass, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Score components:
  • 100% Avg. Std. Deviation
Plantronics BackBeat Pro 2 Consistency L Plantronics BackBeat Pro 2 Consistency R
Avg. Std. Deviation
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What it is: The average amount of deviation in frequency response of 5 re-seats, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Good value: <0.5
Noticeable difference: 0.1
:
0.44 dB

Good frequency response consistency. The lower regions of our over-ear and on-ear headphones are measured on 5 human subjects, 5 times each. The Backbeat Pro 2 show little deviation from person to person but the Mid and Treble ranges seem to be more sensitive to positioning than the Bass range, while remaining within good values.

5.6 Soundstage
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What it is: Soundstage qualities are not inherent to the audio content, the headphones have to 'create' them rather than 'reproduce' them. They determine whether the sound is perceived to be coming from inside or in front of the head, how open and spacious the soundstage is, how much the headphones acoustically interact with the environment, and how strong the phantom center is.
When it matters: When an accurately produced, large and spacious soundstage, similar to that of a stereo loudspeaker setup is desired.
PRTF Error
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What it is: The average amount of deviation in Pinna-Related Transfer Function of the headphones, compared to that of a loudspeaker. Whether the soundstage is perceived to be unnatural, located inside or in front of the head, is dependent on this quality. The more the headphones activate the HRTF resonances of the ear (similar to what loudspeakers do), the more the soundstage will be pulled out from inside the listener's head. This quality affects both stereo and mono content.
When it matters: When a natural, in-the-front soundstage is desired, similar to that of a loudspeaker.
Good value: <5
Noticeable difference: 0.5
:
4.11 dB
Openness
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What it is: How open the headphones are, and how open and spacious they sound. This quality affects both stereo and mono content. This test differentiates between acoustically and electronically produced crosstalk and only takes the acoustically generated crosstalk into account. This value is the inverse of the Noise Isolation test score.
When it matters: When an open, wide and roomy sound is desired. A value of 10 indicates a fully open headphone, and a value of 0 indicates a fully closed headphone.
Good value: >7.5
Noticeable difference: 0.5
:
3.4
Acoustic Space Excitation
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What it is: How loud the headphones are, and how much they excite their environment acoustically. If the headphones are loud and open enough, the sound leaking from the headphones takes some of the characteristic of its environment (reflections/reverb) before reflecting back into the open headphones and to the listener's ears. This quality affects both stereo and mono content. This value is the inverse of the Leakage test score.
When it matters: When an open, wide and roomy sound is desired.
Good value: >7.5
Noticeable difference: 0.5
:
1.9
Correlated Crosstalk
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What it is: How strong and solid the phantom center is. This is mostly a stereo quality and its effects on mono content are minimal. This test is sensitive to the phase of the crosstalk and whether it is produced acoustically or electronically.
When it matters: When a true reproduction of the stereo image is desired. A value of 0 indicates no crosstalk, or that the existing crosstalk is not correlated enough to affect the phantom center. A negative score means the crosstalk is out of phase with the original signal, resulting in a slightly wider stereo image at the expense of creating a 'hole' at the center of the stereo field. A positive score means the crosstalk is in phase and positively affecting the phantom center.
Good value: >1dB
Noticeable difference: 0.3dB
:
0.0 dB

Poor Soundstage. Due to the closed-back and active noise-cancelling, these headphones get a poor openness score. Also, the drivers on the BackBeat Pro 2 aren't deep and angled enough to interact with the pinna like loudspeakers do. The result will be a rather isolated listening experience, with a Soundstage that would be perceived to be located inside the listener's head, as opposed to in-front.

6.9 Imaging
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What it is: Imaging qualities are inherent to the audio content, the headphones have to 'reproduce' them rather than 'create' them. They determine how accurately the objects are positioned in the stereo image, and how transparent the imaging is.
When it matters: When accurate positioning of the objects in the stereo image, and clear and transparent imaging is desired.
Plantronics BackBeat Pro 2 Phase Response
Phase Error
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What it is: The average amount of deviation in the phase, from the ideal flat response.
When it matters: When an accurate and transparent imaging is desired.
Good value: <60°
Noticeable difference: 10°
:
67.03 °
Driver Mismatch (Amplitude)
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What it is: The Left/Right balance of our test unit, that is, the amount of amplitude difference between the left and right drivers. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When a properly balanced stereo image and low manufacturing tolerance is desired. A poor score indicates a noticeable difference in level between the left and right drivers.
Good value: <0.3dB
Noticeable difference: 0.1dB
:
0.81 dB
Driver Mismatch (Frequency)
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What it is: The amount of difference (Std. Err.) between the frequency response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance, is desired. A poor score indicates there may be 'holes' in the stereo image at certain frequencies.
Good value: <2dB
Noticeable difference: 0.1dB
:
2.35 dB
Driver Mismatch (Phase)
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What it is: The amount of difference (Std. Err.) between the phase response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance, is desired. A poor score indicates there may be inaccuracies in the stereo image reproduction at certain frequencies.
Good value: <90°
Noticeable difference: 30°
:
55.01 °

Average Imaging. These headphones show significant phase shift in low-bass and high-treble. However, the phase shift is not very audible in higher regions. Our measurements also show a bit of a phase mismatch in the Treble Range, which could hurt the stereo imaging of the headphones.

6.8 Total Harmonic Distortion
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What it is: The subtle, unwanted frequencies (harmonics) produced alongside the intended frequencies.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Score components:
Plantronics BackBeat Pro 2 Distortion
Weighted THD @ 90
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What it is: The overall amount of harmonic distortion measured at 90dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at moderate listening levels.
Good value: <0.100
Noticeable difference: 0.1
:
2.835
Weighted THD @ 100
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What it is: The overall amount of harmonic distortion measured at 100dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at loud listening levels.
Good value: <0.300
Noticeable difference: 0.1
:
16.278

Average THD performance. The overall response is rather elevated. However, these headphones seem to tolerate loud volumes well, and the rise in distortion at 100dB SPL is less significant than most headphones.

7.1

Isolation

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Score components:

The BackBeat Pro 2 fix the self-noise issue of the previous model but do not isolate as well as some of the other noise canceling models on the market. It should be adequate isolation for a regular commute, but they won't be the ideal headphones to use in loud, noisy conditions. On the upside, they do not leak much, so you won't distract anyone around you if you're listening to your music at moderate-to-high volumes, even in quieter environments.

6.6 Noise Isolation
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What it is: How much outside noise is blocked out by putting the headphones on.
When it matters: If the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
Score components:
Plantronics BackBeat Pro 2 Noise Isolation
Overall Attenuation
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What it is: The overall amount of environmental noise reduction in dB.
When it matters: In loud envinronments like planes, trains, offices, etc.
Good value: <-20dB
Noticeable difference: 1dB
:
-18.91 dB
Bass
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What it is: The overall amount of noise isolation in the bass range (20Hz-250Hz).
When it matters: When the outside noise is bass-heavy, like in airplanes.
Good value: <-15dB
Noticeable difference: 1dB
:
-7.06 dB
Mid
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What it is: The overall amount of noise isolation in the mid-range (250Hz-2.5KHz).
When it matters: When the environment's noise is mid-heavy, like in an office.
Good value: <-15dB
Noticeable difference: 1dB
:
-14.05 dB
Treble
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What it is: The overall amount of noise isolation in the treble range (2.5KHz-20KHz).
When it matters: When the environment's noise is treble-heavy. Although uncommon, areas with sharp sounds fall under this category.
Good value: <-30dB
Noticeable difference: 1dB
:
-36.06 dB
Self-Noise
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What it is: The amount of noise created by the active electronics of the headphones (if applicable), measured from 200Hz-20KHz. Applies mostly to wireless and noise-cancelling headphones.
When it matters: If too loud, it could become distracting when listening to quiet material like podcasts and audiobooks.
Good value: <18dB
Noticeable difference: 1dB
:
17.41 dB

Mediocre Isolation performance. The passive isolation created by the ear cups is above average. They start to kick-in at around 600Hz and achieve an average reduction of 14dB in the Mid Range and 36dB in the Treble Range. However, the active noise-cancelling performs poorly. They do very little in the Mid Range and only achieve 7dB of reduction in the Bass Range.

8.1 Leakage
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What it is: The amount of sound bleeding out of the headphones.
When it matters: When the listener doesn't want people around them (in office, recording studio, etc.) to hear what is being listened to.
Score components:
Plantronics BackBeat Pro 2 Leakage
Overall Leakage @ 1ft
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What it is: The amount of sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal.
When it matters: When you don't want people hear what you are listening to.
Good value: <35dB
Noticeable difference: 1dB
:
34.64 dB

Good Leakage performance. The significant portion of the leakage is between 500Hz and 8KHz, which is relatively broad. However, the overall level of the leakage is quite low, and won't be too disturbing to the people around you in most situations.

8.6

Active Features

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What it is: Headphones with active components that require a battery. This includes noise cancelling and wireless headphones that actively reduce noise or transmit audio via a wireless connection.
When it matters: How suitable the power and wireless specifications of an active headphone will be, depending on your listening habits. The range and/or discharge time of the active headphone you select will be important if you're often on the move or have long uninterrupted listening sessions.
Score components:

The BackBeat Pro 2 have an excellent set of active features. They last up to  30 hours on a single charge at moderate volumes and have an amazing wireless range. They also support both aptX and aptX low latency which makes them decent for watching movies or gaming. They're easy to pair and take a relatively short time to charge for their battery life. However, the Plantronics Hub app while giving you some unique tools doesn't feel practical to use on a daily basis.

8.8 Wireless
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What it is: Headphones that offer a cable-free listening experience over a wireless network, typically via Bluetooth or radio frequency.
When it matters: If you don't want to be limited by the length of an audio cable. This means having the freedom to move around in your home or office with a much greater range than an audio cable could provide, especially, if the Bluetooth source is heavy or difficult to carry.
Type
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What it is: The type and version of the wireless network, the headphones use to connect to the audio source. This could either be Bluetooth or radio frequency.
When it matters: The Bluetooth version will determine how compatible the headphones are with your Bluetooth enabled devices. Typically, newer Bluetooth versions are backward compatible with older ones but may lack the additional features that more recent Bluetooth protocols provide.
:
Bluetooth 4.0
SBC Latency
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What it is: The latency for the default sub-band coding of most Bluetooth headphones.
When it matters: When watching videos a high latency can cause sync issues between the images you see and the audio you hear.
Good value: 170ms or less
Noticeable difference: 15ms
:
173 ms
aptX Latency
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What it is: An audio coding algorithm (Codec) that improves bit rate efficiency. It reduces latency and improves sound quality over Bluetooth.
When it matters: For better sound quality if your often streaming music over Bluetooth. Also it slightly improves latency when watching videos with wireless headphones.
Good value: 130ms or less
Noticeable difference: 15ms
:
166 ms
aptX(LL) Latency
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What it is: Low latency variation of aptX that significantly reduces sync issues between video and sound when using Bluetooth headphones.
When it matters: When watching videos or gaming latency is a lot more noticeable than just listening to music.
Good value: 50ms or less
Noticeable difference: 5ms
:
34 ms
Obstructed Range
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What it is: The range that the wireless headphones can reach before dropping any audio when the Bluetooth source was placed in another room.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in an indoor environment. Although, the obstructed wireless range will slightly depend on your home or office layout.
Good value: >35ft
Noticeable difference: 5ft
:
55 ft
Line of Sight Range
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What it is: The range that the wireless headphones can reach before dropping any audio when in direct line of sight of the Bluetooth device.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in a large and open environment.
Good value: 170ft or more
Noticeable difference: 10ft
:
250 ft
NFC
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What it is: Near Field Communication technology that allows you to quickly, pair your headphones with your Bluetooth and NFC-enabled device.
When it matters: This makes pairing with an NFC-enabled device a lot easier than the typical and often tedious hold-to-pair procedure that most wireless headphones have.
:
Yes

These headphones have an exceptional wireless connection both in range and latency. They will reach up to 250 ft in direct line-of-sight and have enough range to use around the office or at home without having connection drops, even when the Bluetooth source was placed in another room. They're also easy to pair with NFC and the Power/Bluetooth toggle.

8.7 Battery
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What it is: The power source of your headphones. All headphones with active features have a battery that will deplete over time.
When it matters: To continue using the active features of your headphones. Some models lose features or switch off completely when the battery is drained, which limits what you can do with them until the next charge.
Score components:
Battery Type
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What it is: The type of battery that the headphones use. Usually AAA or embedded, Li-ion rechargeable batteries.
When it matters: When your headphones run out of power. Rechargeable batteries usually charge via the headphones Micro-USB port whereas AAA batteries have to be replaced or charged with an external device.
:
Rechargable
Battery Life
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What it is: The amount of time it takes for a headphones' battery to be completely drained. Battery life will vary depending on the active features used and volume level.
When it matters: For active headphones that connect wirelessly, have noise cancellation or other audio-enhancing features, that cease to work once the battery is dead.
Good value: >10hrs
Noticeable difference: 0.5hrs
:
30 hrs
Charge Time
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What it is: The amount of time your active headphones have to be connected to a power source to charge from 0 to a 100%. However, charging time will vary depending on your power source.
When it matters: To be able to use the active features of your headphones. Especially, wireless ones that completely switch off and need to be recharged when the battery is dead.
Good value: 2h or less
Noticeable difference: 0.25h
:
2.1 hrs
Auto-off
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What it is: A feature that turns off the headphones, after a set time, when they're not in use.
When it matters: To prolong battery life when the headphones are not being used, or if you forget to manually turn off your headphones.
:
Yes
Audio while charging
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What it is: Some active headphones remain usable while charging. They continue to stream audio and do not disable other active features.
When it matters: This makes sure that your headphones's battery are not being drained when your relatively close to a power source. However, this means wireless headphones will need a wired connection to the power source during the charging process.
:
Yes
Passive Playback
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What it is: Active headphones that still work when all their active features are turned off or out of power.
When it matters: If you run out of power and do not have spare AA/AAA batteries or access to a power source to recharge your headphones.
:
Yes

The BackBeat Pro 2 have a great battery life. They take about 2 hours to charge fully but deliver up to 30 hours of continuous playback at moderate volumes. They also have a bunch of power saving features like: smart pause, audio while charging, auto off and complete passive playback when the battery finally runs out. This makes them good travel headphones, especially, if you do not have frequent access to a power source .

6.0 App Support
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What it is: The additional app provided to enhance your listening experience. They typically deliver a set of practical features that give you more control over the sound, noise cancelling and effects that the headphones produce.
When it matters: An app with a lot of features allows you to customize your listening experience to suit your taste and preferences. For example, additions like an equalizer can give you more bass or treble and room effects can simulate a bigger Soundstage in closed back headphones.
Score components: Subjectively assigned
Plantronics BackBeat Pro 2 App Picture
App Name : Plantronics Hub
iOS : Yes
Android : Yes
Equalizer
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What it is: Parametric, graphic or preset sound profiles that slightly alter the frequency response.
When it matters: If you want to tailor, your listening experience. Depending on what you're listening to you may want more or less bass for some tracks or more mid-range for vocals-heavy audio.
:
No
ANC control
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What it is: Control over the Active noise canceling technology. This could be either a simple on/off button, and adjustable slider or even adaptive self-regulating noise cancellation.
When it matters: If you're in an environment where you need to monitor your surroundings or completely isolate yourself from ambient noise.
:
No
Room effects
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What it is: Room effects that enhance the audio quality to make it more immersive.
When it matters: If you want to further tweak your listening experience. Adding room effects, can simulate a more spacious Soundstage or deliver a surround sound-like feel.
:
No
Playback control
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What it is: An in-app player that gives you access to play/stop, track skipping or volume controls directly with the app.
When it matters: It's a shortcut that allows you to control your audio without leaving the application.
:
No

The Plantronics Hub is a unique app that doesn't enhance your listening experience but provides some tools that may be useful to some. They have a last position synced tracker and a find my headphone feature that makes them easy to find if ever you misplace them. However, due to the size of the BackBeat Pro 2, it's not always the most practical tool. On the upside, it also displays the battery information as a notification, so you can monitor how much battery you have left at all times.

In the box

Plantronics BackBeat Pro 2 In the box Picture

  • Plantronics Backbeat Pro 2 Headphones
  • Carrying Case
  • Audio cable
  • USB cable
  • Manual

Conclusion Amazon.co.uk CHECK PRICE Right

7.6Mixed Usage
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What it is This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
The Plantronics BackBeat Pro 2 are versatile headphones for most use cases. They have a solid and durable design, an excellent wireless range and battery life and they sound balanced enough for most casual and even more critical listeners. However, they're a bit bulky for working out and only have an average isolation despite being noise canceling headphones.
7.6Critical Listening
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What it is The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
Good for critical listening. They have a well-balanced mid and treble range and a powerful bass that should satisfy fans of bass-heavy music. However, the bass can sometimes overshadow some of the instruments and vocals depending on the track. They also have a small soundstage due to they're closed-back noise canceling design.
7.5Commute/Travel
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What it is How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
Suitable for commuting. They're easy to use, comfortable and have a great battery life. Also, although the isolation is not the best it should be sufficient for regular commuters, especially, if you play your audio at moderate-to-high volumes.
7.2Sports/Fitness
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What it is How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
Above-average for sports. They're a bit bulky and not the most breathable headphones to take to the gym. But they have a good wireless design so there's no audio cable to hinder you during your workouts and they're also tight enough on the head to be somewhat stable when running and jogging.
7.9Office
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What it is How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Great for office use. They don't leak much, they're comfortable and easy to pair with most Bluetooth devices. They're also packed with features that make them practical to use at the office such as: Smart Pause, Audio while charging and their excellent wireless range.
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