Table of Contents
  1. Intro
  2. Design
    1. Style
    2. Comfort
    3. Controls
    4. Stability
    5. Portability
    6. Case
    7. Build Quality
    8. Cable
    9. Front
    10. Angled
    11. Side
    12. Rear
    13. Top
  3. Sound
    1. Bass
    2. Mid
    3. Treble
    4. Total Harmonic Distortion
  4. Isolation
    1. Noise Isolation
    2. Leakage
  5. Active Features
    1. Wireless
    2. Battery
    3. App Support
  6. In the box
  7. Conclusion
  8. Q&A
Reviewed on Mar 10, 2016 , Marc Henney

Audio-Technica ATH-ANC7B SVIS
HEADPHONES REVIEW

Usage Ratings
6.1Mixed Usage
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What it is This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
6.8Critical Listening
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What it is The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
6.1Commute/Travel
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What it is How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
5.9Sports/Fitness
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What it is How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
5.7Office
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What it is How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Type : Over-ear
Enclosure : Closed-Back
Wireless : No
Noise-Cancelling : Yes
Mic : Yes
Transducer : Dynamic

The Audio-Technica ATH-ANC7B SVIS Noise-Cancelling are average headphones with decent audio reproduction. They deliver good bass but struggle with higher tones and isolation. The poor noise cancellation and seal lets sound enter and escape the ear cups relatively easily, which is not ideal for commuting or office environments.

Test Results
Design 6.1
Sound 6.9
Isolation 6.2
Active Features 4.3
Pros
  • Decent audio reproduction.
  • Decently stable design.
Cons
  • Poor noise isolation.
  • Leaks a lot of sound.
  • Limited audio controls.

Check Price

ATH-ANC7B SVIS Amazon CHECK PRICE Right
6.1

Design

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Score components:
Audio-Technica ATH-ANC7B SVIS Design Picture

The ANC-7b SVIS are very average in their design. They are lightweight, the headband is sturdy and flexible and the simple button layout is easy to use. Unfortunately, the ear cups feel cheap and plasticky and the padding is stiff and uncomfortable.

Style
Audio-Technica ATH-ANC7B SVIS Design Picture 2

The ANC7b SVIS look good but offer nothing out of the ordinary with their style. The oval ear cups have a simple, two-tone silver and black color scheme. The matching headband is also black, with silver accents from the metal frame.

6.0 Comfort
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What it is: Adjustability and degrees of freedom, pressure, stiffness and weight.
When it matters: When the headphones are going to be used for long durations.
Score components: Subjectively assigned
Audio-Technica ATH-ANC7B SVIS Comfort Picture
Weight : 0.49 lbs
Clamping Force
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What it is: The force that the headphones exert on your head, once you have them on. This is purely a measurement of the force applied, which does not take into account the earpad's surface area and the resulting pressure you will feel, on or around your ears.
When it matters: The tighter the headphones, the more force they put on your head. This can get uncomfortable or cause pain and soreness during long listening sessions.
:
0.88 lbs

The SVIS provide moderate comfort. They are fairly lightweight and the ear cups swivel, which makes them more adjustable. However, the headband does not extend far enough for larger heads, the over-ear cups do not encompass the entire ear and the padding is stiff and uncomfortable.

6.0 Controls
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What it is: The control scheme of the headphones; the number of functions provided, button layout and ergonomics as well as the quality of tactile feedback.
When it matters: If you want to control volume, pause your music or make phone calls without directly interacting with, your audio device.
Score components: Subjectively assigned
Audio-Technica ATH-ANC7B SVIS Controls Picture
Call/Music Control : Yes
Volume Control : No
Additional Buttons : Noise-Cancelling

Button layout and functionality is simple and basic. There's only one easy-to-use noise cancelling switch on the ear cup. The remaining control option is the call/music button relegated to the inline control of the cable. It's functional but the lack of volume control is slightly disappointing.

6.5 Stability
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What it is: How the headphones are designed to prevent them from slipping off your ears or falling off your head.
When it matters: If you plan on using the headphones while doing sports or other physical activities that requires a lot of movement.
Score components: Subjectively assigned
Audio-Technica ATH-ANC7B SVIS Stability Picture

These headphones are decently stable but will fall off your head while running. The ATH-ANC 7b sivs do not apply enough pressure to your head, which causes the slightly large ear cups to sway when doing any high-intensity activity. They're able to maintain a stable fit during casual listening sessions but are not designed for sports. On the upside, they have a detachable cable that will not pull the headphones off your head if it gets hooked on something.

6.0 Portability
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What it is: The volume of space occupied by the headphones when folded into their most compact format.
When it matters: If you're often on the move and need to carry your headphones in a bag, purse , or pocket.
Score components:
Audio-Technica ATH-ANC7B SVIS Portability Picture
L : 7.48 "
W : 6.89 "
H : 1.97 "
Volume : 101.52 Cu. Inches

The ATH-ANC 7b SIVS are mid-sized over ear headphones. Their earcups swivel and lay flat to take up less space, and they're smaller than some other over-ear models, which makes them somewhat portable. Sadly, they do not fold up into a more compact format. They will fit in a bag but are too large and cumbersome to fit into pocket or purse.

7.5 Case
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What it is: The provided carrying options to protect your headphones when transporting them.
When it matters: To prevent damaging your headphones, if you often carry them in your bag or pocket.
Score components: Subjectively assigned
Audio-Technica ATH-ANC7B SVIS Case Picture
Type : Hard case
L : 7.87 "
W : 8.27 "
H : 1.97 "
Volume : 128.18 Cu. Inches

Comes with a sturdy hard case that's covered in fabric and will protect the headphones from scratches and falls. The case does add a little bit of bulk to the headphones, though, which means you may need a bag to carry them in. On the upside, the case is large enough to carry all the provided accessories for these headphones.

6.0 Build Quality
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What it is: Durability; material quality; cheap/expensive feel.
When it matters: When the headphones are going to be used by multiple users (classes/studios), by children, in tough conditions, on a daily basis, or for exercise.
Score components: Subjectively assigned
Audio-Technica ATH-ANC7B SVIS Build Quality Picture

The ANC7b SVIS' build quality is mediocre. The headband is lightly padded and reinforced with a thin metal frame. It's flexible and feels solid enough to handle a few drops, however, the ear cups feel cheap and plastic. The material used for the padding is stiff and the plastic joints are potential weak points. The cables provided are also quite thin and do not feel durable.

Cable
Audio-Technica ATH-ANC7B SVIS Cable Picture
Detachable : Yes
Length : 4.27 ft
Connection : 1/8" TRRS

Comes with three cables; a 1/8" TRRS-TRRS with call/music but no volume control. Two 1/8" TRS-TRS with no in-line controls

Front
Angled
Side
Rear
Top
6.9

Sound

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What it is: How accurately the audio is reproduced. The tests are performed with the headphones' most commonly used features enabled (noise-cancelling, wireless, etc.)
Score components:
Audio-Technica ATH-ANC7B SVIS Frequency Response

The ANC7b SVIS Noise-Cancelling have a decent audio profile that does a good job reproducing accurate bass. The slightly hyped bass extends into the mid range and reproduces the body of instruments well. However, the dip in the higher tones makes lead instruments and vocals sound weak and lack detail. On the upside, harmonic distortion is barely noticeable even at higher volumes.

8.4 Bass
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What it is: Frequency Response from 20Hz-250Hz
When it matters: When the material is heavy on bass frequencies, such as those of kick drums and bass guitar.
Score components:
Audio-Technica ATH-ANC7B SVIS Bass
Std. Err.
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What it is: The amount of deviation (weighted standard error) in bass frequency response (20Hz-250Hz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) bass performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
3.16 dB
Low-Frequency Extension
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What it is: The lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: Shows how extended the bass is.
Good value: <40Hz
Noticeable difference: 5Hz
:
20.89 Hz
Low-Bass
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What it is: The average amount of over/under-emphasis in frequency response from 20Hz-60Hz.
When it matters: Kick drums and low frequency effects get their 'thump' from this range. Mostly felt than heard.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.08 dB
Bass
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What it is: The average amount of over/under-emphasis in frequency response from 60Hz-120Hz.
When it matters: Melodic bass instruments have most of their fundamental frequencies in this range. This is where the 'body' and 'punch' of the bass sits.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
3.21 dB
High-Bass
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What it is: The average amount of over/under-emphasis in frequency response from 120Hz-250Hz.
When it matters: Most instruments get their warmth and full-ness from this range. When over-emphasized, mixes tend to get muddy and boomy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
4.8 dB

Good performance. The excellent low-end cutoff of 19Hz means the bass is very well extended. The 5dB over-emphasis in high-bass, however, tends to add boominess to the sound.

5.9 Mid
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What it is: Frequency Response from 250Hz-2KHz
When it matters: When the material is heavy on mid-range frequencies. This is the case for the majority of audio content.
Score components:
Audio-Technica ATH-ANC7B SVIS Mid
Std. Err.
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What it is: The amount of deviation (weighted standard error) in mid frequency response (250Hz-2.5KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) mid performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
5.5 dB
Low-Mid
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What it is: The average amount of over/under-emphasis in frequency response from 250Hz-500Hz.
When it matters: Most instruments have their fundamentals or low harmonics in this range. Over-emphasis in this range sounds boxy. Under-emphasis, thins out the vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
3.9 dB
Mid
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What it is: The average amount of over/under-emphasis in frequency response from 500Hz-1KHz.
When it matters: This range is occupied mostly by upper harmonics. Over-emphasis sounds forward and honky. Under-emphasis pushes instruments to the back of the mix.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.93 dB
High-Mid
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What it is: The average amount of over/under-emphasis in frequency response from 1KHz-2.5KHz.
When it matters: Most instruments, especially vocals, get their intensity and clarity from this range. Over-emphasis sounds harsh, under-emphasis sounds weak and distant.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-7.94 dB

Decent performance. The over-emphasis in high-bass continues in the low-mid section, adding a little of a boxy quality to the sound. The major dip in the high-mid region, averaging around -7dB, greatly reduces the clarity and intensity of vocals and other lead instruments.

5.2 Treble
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What it is: Frequency Response from 2KHz-20KHz
When it matters: When the material is heavy on high-range frequencies, such as voice, cymbals, and any other material where brightness, brilliance and airiness is desired.
Score components:
Audio-Technica ATH-ANC7B SVIS Treble
Std. Err.
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What it is: The amount of deviation (weighted standard error) in treble frequency response (2.5KHz-20KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) treble performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
6.27 dB
Low-Treble
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What it is: The average amount of over/under-emphasis in frequency response from 2.5KHz-5KHz.
When it matters: Almost all instruments rely on this range for their presence, detail, and articulation. Over-emphasis can sound harsh and painful. Under-emphasis hurts the comprehensibility of vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-7.94 dB
Treble
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What it is: The average amount of over/under emphasis in frequency response from 5KHz-10KHz.
When it matters: This is the sibilance range. Cymbals, vocals, and lead instruments rely on this range for brightness and presence. Over-emphasis sounds piercing and painful, under-emphasis sounds dull and lispy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.98 dB
High-Treble
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What it is: The average amount of over/under-emphasis in frequency response from 10KHz-20KHz.
When it matters: This range gives brilliance and airiness to the sound. Over-emphasis sounds hissy, under-emphasis sounds closed-up and lifeless.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
2.97 dB

Poor performance. The under-emphasis in the high-mid region continues into the low-treble section, compounding the negative effect on the presence, clarity and articulation of vocals/lead instruments.

9.4 Total Harmonic Distortion
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What it is: The subtle, unwanted frequencies (harmonics) produced alongside the intended frequencies.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Score components:
Audio-Technica ATH-ANC7B SVIS Distortion
Weighted THD @ 90
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What it is: The overall amount of harmonic distortion measured at 90dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at moderate listening levels.
Good value: <0.100
Noticeable difference: 0.1
:
0.089
Weighted THD @ 100
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What it is: The overall amount of harmonic distortion measured at 100dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at loud listening levels.
Good value: <0.300
Noticeable difference: 0.1
:
0.144

Good distortion results overall. The upper bass/lower mid regions however, seem to be struggling under higher volumes.

6.2

Isolation

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Score components:

Poor Isolation performance overall. The ATH-ANC7b SVIS fail at actively cancelling ambient noise and the poor seal caused by the stiff padding lets a lot of sound escape. They won't handle loud environments well, as they allow a lot of sound to seep in and out of the ear cups. This may distract you from your listening experience and disturb the people around you.

6.5 Noise Isolation
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What it is: How much outside noise is blocked out by putting the headphones on.
When it matters: If the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
Score components:
Audio-Technica ATH-ANC7B SVIS Noise Isolation
Overall Attenuation
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What it is: The overall amount of environmental noise reduction in dB.
When it matters: In loud envinronments like planes, trains, offices, etc.
Good value: <-20dB
Noticeable difference: 1dB
:
-16.05 dB
Bass
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What it is: The overall amount of noise isolation in the bass range (20Hz-250Hz).
When it matters: When the outside noise is bass-heavy, like in airplanes.
Good value: <-15dB
Noticeable difference: 1dB
:
-4.04 dB
Mid
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What it is: The overall amount of noise isolation in the mid-range (250Hz-2.5KHz).
When it matters: When the environment's noise is mid-heavy, like in an office.
Good value: <-15dB
Noticeable difference: 1dB
:
-13.77 dB
Treble
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What it is: The overall amount of noise isolation in the treble range (2.5KHz-20KHz).
When it matters: When the environment's noise is treble-heavy. Although uncommon, areas with sharp sounds fall under this category.
Good value: <-30dB
Noticeable difference: 1dB
:
-33.06 dB
Self-Noise
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What it is: The amount of noise created by the active electronics of the headphones (if applicable), measured from 200Hz-20KHz. Applies mostly to wireless and noise-cancelling headphones.
When it matters: If too loud, it could become distracting when listening to quiet material like podcasts and audiobooks.
Good value: <18dB
Noticeable difference: 1dB
:
11.19 dB

Poor performance, especially in the bass region, where there's virtually no isolation below 100Hz. The mid and treble performances are also below average, maxing out at around -20dB and -30dB respectively.

5.6 Leakage
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What it is: The amount of sound bleeding out of the headphones.
When it matters: When the listener doesn't want people around them (in office, recording studio, etc.) to hear what is being listened to.
Score components:
Audio-Technica ATH-ANC7B SVIS Leakage
Overall Leakage @ 1ft
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What it is: The amount of sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal.
When it matters: When you don't want people hear what you are listening to.
Good value: <35dB
Noticeable difference: 1dB
:
46.82 dB

Poor performance. The leakage is both loud and broadband, extending from 400Hz-5KHz, which covers the major components of vocals/lead instruments. This is most likely due to the poor seal of the pads.

4.3

Active Features

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What it is: Headphones with active components that require a battery. This includes noise cancelling and wireless headphones that actively reduce noise or transmit audio via a wireless connection.
When it matters: How suitable the power and wireless specifications of an active headphone will be, depending on your listening habits. The range and/or discharge time of the active headphone you select will be important if you're often on the move or have long uninterrupted listening sessions.
Score components:

The ANC7B SVIS only have noise canceling as an active feature. They won't be the most versatile headphones, but on the upside, they have a pretty good battery life that lasts about 52 hours of continuous playback. This makes them decent travel headphones as you won't need to change the AAA cell as often but the lack of power saving features also means that if you leave them on they will continue to drain the battery.

0 Wireless
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What it is: Headphones that offer a cable-free listening experience over a wireless network, typically via Bluetooth or radio frequency.
When it matters: If you don't want to be limited by the length of an audio cable. This means having the freedom to move around in your home or office with a much greater range than an audio cable could provide, especially, if the Bluetooth source is heavy or difficult to carry.
Type
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What it is: The type and version of the wireless network, the headphones use to connect to the audio source. This could either be Bluetooth or radio frequency.
When it matters: The Bluetooth version will determine how compatible the headphones are with your Bluetooth enabled devices. Typically, newer Bluetooth versions are backward compatible with older ones but may lack the additional features that more recent Bluetooth protocols provide.
:
N/A
Obstructed Range
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What it is: The range that the wireless headphones can reach before dropping any audio when the Bluetooth source was placed in another room.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in an indoor environment. Although, the obstructed wireless range will slightly depend on your home or office layout.
Good value: >35ft
Noticeable difference: 5ft
:
N/A
Line of Sight Range
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What it is: The range that the wireless headphones can reach before dropping any audio when in direct line of sight of the Bluetooth device.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in a large and open environment.
Good value: 170ft or more
Noticeable difference: 10ft
:
N/A
NFC
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What it is: Near Field Communication technology that allows you to quickly, pair your headphones with your Bluetooth and NFC-enabled device.
When it matters: This makes pairing with an NFC-enabled device a lot easier than the typical and often tedious hold-to-pair procedure that most wireless headphones have.
:
No

8.2 Battery
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What it is: The power source of your headphones. All headphones with active features have a battery that will deplete over time.
When it matters: To continue using the active features of your headphones. Some models lose features or switch off completely when the battery is drained, which limits what you can do with them until the next charge.
Score components:
Battery Type
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What it is: The type of battery that the headphones use. Usually AAA or embedded, Li-ion rechargeable batteries.
When it matters: When your headphones run out of power. Rechargeable batteries usually charge via the headphones Micro-USB port whereas AAA batteries have to be replaced or charged with an external device.
:
AAA
Battery Life
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What it is: The amount of time it takes for a headphones' battery to be completely drained. Battery life will vary depending on the active features used and volume level.
When it matters: For active headphones that connect wirelessly, have noise cancellation or other audio-enhancing features, that cease to work once the battery is dead.
Good value: >10hrs
Noticeable difference: 0.5hrs
:
52 hrs
Charge Time
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What it is: The amount of time your active headphones have to be connected to a power source to charge from 0 to a 100%. However, charging time will vary depending on your power source.
When it matters: To be able to use the active features of your headphones. Especially, wireless ones that completely switch off and need to be recharged when the battery is dead.
Good value: 2h or less
Noticeable difference: 0.25h
:
N/A
Auto-off
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What it is: A feature that turns off the headphones, after a set time, when they're not in use.
When it matters: To prolong battery life when the headphones are not being used, or if you forget to manually turn off your headphones.
:
No
Audio while charging
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What it is: Some active headphones remain usable while charging. They continue to stream audio and do not disable other active features.
When it matters: This makes sure that your headphones's battery are not being drained when your relatively close to a power source. However, this means wireless headphones will need a wired connection to the power source during the charging process.
:
N/A
Passive Playback
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What it is: Active headphones that still work when all their active features are turned off or out of power.
When it matters: If you run out of power and do not have spare AA/AAA batteries or access to a power source to recharge your headphones.
:
Yes

The ATH-ANC7B SVIS has a great battery life of about 52 hours. This makes them decent headphones to use on a long flight or road trip as you're not forced to change the triple AAA battery throughout the day. Unfortunately, they can't be used without the battery, and do not have any battery saving features like an auto-off timer.

0 App Support
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What it is: The additional app provided to enhance your listening experience. They typically deliver a set of practical features that give you more control over the sound, noise cancelling and effects that the headphones produce.
When it matters: An app with a lot of features allows you to customize your listening experience to suit your taste and preferences. For example, additions like an equalizer can give you more bass or treble and room effects can simulate a bigger Soundstage in closed back headphones.
Score components: Subjectively assigned

No compatible app.

In the box

Audio-Technica ATH-ANC7B SVIS In the box Picture

  • Audio Technica ATH-ANC7b-SVIS headphones
  • Audio cables(x3)
  • Airline adapter
  • Carrying case
  • AAA batteries
  • 1/8" to 1/4" Adapter

Conclusion Amazon CHECK PRICE Right

6.1Mixed Usage
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What it is This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
These headphones do not excel in any use case. They struggle with subpar noise isolation and leakage. They also have a dull sound quality.
6.8Critical Listening
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What it is The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
Below-average for critical listening. They have a lackluster sound and their closed back design limits their soundstage.
6.1Commute/Travel
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What it is How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
Mediocre at best for commuting. The noise canceling is weak and struggles in loud environments, which is not ideal for the level of noise involved in commuting.
5.9Sports/Fitness
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What it is How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
Mediocre for sports. They're relatively lightweight. However, they're a bit cumbersome and unstable for strenuous exercises.
5.7Office
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What it is How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Subpar for office use. They leak quite a bit and do not isolate much. You will still be able to hear the chatter of a busy office.
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Questions & Answers

1 ANSWERED QUESTIONS
0
Hi guys, I'm wondering please, why do your frequency response tests stop at 12 Khz? People can hear far beyond that. In my view any system that does not reproduce sound well up to at least 16-18 Khz is relatively muffled to me.
Thanks for your message. We agree that headphones measurements should go beyond 12KHz and ours actually do. In fact, our measurements are from 10Hz to 22KHz (scoring only the 20Hz to 20KHz range), but since our charts go to 100KHz you may have mistaken the 20KHz line with the 12KHz line (We had to choose 100KHz as the upper limit of most of our charts because of a limitation with logarithmic charts in Microsoft Excel).
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